Hamnet review – Paul Mescal and Jessie Buckley beguile and captivate in audacious Shakespearean tragedy
Hamnet review – Paul Mescal and Jessie Buckley beguile and captivate in audacious Shakespearean tragedy This article is more than 2 months old Chloé Zhao’s film version of Maggie O’Farrell’s myth-making novel powerfully reimagines the agonising loss of a child as the source of Hamlet’s grand stage drama Peter Bradshaw Tue 6 Jan 2026 07.00 GMT Share Prefer the Guardian on Google ‘T he joys of parents are secret, and so are their griefs and fears …” This is Francis Bacon’s essay Of Parents and Children; maybe they were more secret in his day than ours. This kind of secrecy and revelation is part of Chloé Zhao’s deeply felt romantic fantasy about the origin of William Shakespeare’s tragedy Hamlet. It locates the play’s beginning in the imagined anguish of Shakespeare and his wife Agnes (or Anne) Hathaway at the death of their son Hamnet at the age of 11 in 1596, a few years before the play’s first performance. The nearness of the names is not supposed to be some monumental Freudian slip; ...